Tao cosciente complesso

The complexity of perception.

The Complexity of Consciousness

Figure shows the complex view of perception (and, to some extent, of the consciousness behind it). In the center of the drawing are depicted various stimuli from others and from the physical world impinging on the individual. These stimuli produce effects that can be classified as mental, emotional, and bodily. The innermost reaction circle represents clearly conscious experiences. At this moment, as I write, I hear a pneumatic drill being used to break up the pavement outside my window. I mentally speculate about the air pressure used to operate such an interesting tool but note that it is distracting me; I emotionally dislike the disturbance of my writing; the muscles of my face and ears tighten a little, as if that will reduce the impact of the noxious sound on me. While the three-part classification of effects provides a simplification, in reality the mental, emotional, and bodily responses to stimuli interact at both conscious and less than conscious levels. My mind notices the tension around my ear and interprets that as something wrong, which, as a minor emotional threat, aggravates the noxiousness of the sound, etc. Immediately behind fully conscious experiences are easily experienceable phenomena, represented by the second circle. The mental effect of these phenomena relates to the individual's explicit belief system: I believe that noise is undesirable, but I am fascinated by the workings of machines. Their emotional effect relates to the things he readily knows he likes or dislikes: loud noises generally bother me and make me feel intruded upon. Their bodily effect relates to consciously usable skills and movements: I can relax my facial muscles. These phenomena affect the individual at a level that is not in the focus of consciousness, but that can be easily made conscious by paying attention. These two levels are themselves affected and determined by a more implicit level of functioning, implicit in that the individual cannot identify its content simply by wanting to and paying attention. Where did I get the idea that noise is an intrusion? Why am I fascinated by the workings of machines? I do not know. I might be able to find out by prolonged psychological exploration, but the information is not easily available, even though these things affect me. Why do I have an immediate emotional dislike of noise? Is there some unconscious reaction behind it? How have I come to maintain certain muscle sets in my face that are affected by stress in certain ways? The outer circle in Figure represents basic learnings, conditionings, motor patterns, instincts, reflexes, language categories, and the like, which are so implicit the individual can hardly/ recognize their existence. This is the level of the hardware, the biological givens, and the basic enculturation processes. The distance of these things from consciousness makes it extremely difficult for him to discover and compensate for their controlling influences: they are, in many ways, the basis of himself. If the stimulus in the middle of Figure is a cat, this whole complex machine functions, a machine designed by our culture. We don't "just" see the cat! Our ordinary state of consciousness is a very complex construction indeed, yet Figure hardly goes into details at all. So much for the naturalness of our ordinary state of consciousness.